ROSARIO DAWSON IS SUPERCOOL

Rosario and some 'crazy' dude street dance the hell out of London.

MORE REAL THAN REAL

Diego Gravinese creates gorgeous hyper-real paintings.

WE HEART HELIUM ROBOTS

Our good friend drops some deepness with Theo Parrish.

FIRST FIVE MINUTES OF "HAYWIRE"

Preview of Gina Carano kicking some dude ass.

ZED BIAS

Dave Jones continues to take his music to finer, mightier places.

Wednesday, 25 January 2012

LIANNE LA HAVAS


With glowing reviews for her live performances, stunning voice and rare musical ability, this is another of 2012's bright musical future, Lianne La Havas. Hailing from south London, the 22 year-old is born of both Greek and Jamaican heritage. Her father was a multi-instrumentalist who introduced her to the guitar and the keyboard. La Havas launched her career after performing as a backing vocalist for Paloma Faith and Rox. Now signed to Warner Bros, she is working on material for her upcoming debut album due early this year.

Obvious comparison's aside (Erykah Badu, Jill Scott, India Arie), her standout quality is well, quality. Though the sound is generally more on the neo-soul/acoustic side of things, her vocal ability, musical chops and strong songwriting put her in a league with artists like Laura Marling rather than Estelle (no offense to Estelle meant of course!). She played live in London last night and from what I hear - with just voice and guitar - completely smashed it. One to watch.

Below is the video for the single "Forget", directed by multimedia artist Danny Sangra. Followed by a couple of live performances. She's also quite a charmer...







- FBZY

Tuesday, 24 January 2012

DC COMICS REBRAND


To reflect their growing presence as an entertainment company across multimedia, and to solidify their position within the digital arena, DC Comics have re-branded, following from re-launching all their massively confusing titles last year.

From the classic Milton Glaser designed 'bullet' logo in the 70s, to the revamped logo by Brainchild Studios in 2005, the logo has always had a very iconic, solid, American feel to it - like something you'd see on a baseball cap. This has be eschewed in favour of a visual device (referred to as the 'peel'), designed to reflect the duality of the DC characters (Bruce Wayne/Batman), and to appear dynamic in a mix of digital contexts.

As expected with massive re-brands (GAP, Waterstones), the logo has debuted to a very mixed reception. Many feel the new logo lacks excitement and is far too corporate, while some welcome the new modern approach. Still quite a few people are lamenting the Redundant Acronym Syndrome issue (it actually reads Detective Comics Comics). I won't get too much into the debate as this isn't a graphic design blog - read the arguments here. But personally, I hated it at first but it's growing on me. Can't believe designers are still using 'page curls' on graphics in 2012 though - that shit played out a long time ago son. What do peeps think?







- FBZY

Monday, 23 January 2012

JUSTICE - "ON'N'ON" (UPDATE)


Here's the new clip for Justice's "On'N'On", directed by Alexandre Courtes (who apparently makes the ladies faint - not in a good way though). Coming on like a cross between the opening titles of "Tales Of The Unexpected" and the last 15 minutes of "2001- A Space Odyssey", It features naked ladies, so maybe not suitable for work viewing (unless you work in Dalston in which case it may be expected).

The "On'N'On" remix EP is available to pre-order and out Jan 30.


Justice - On'n'on by justice

UPDATE here's a brand new remix by none other than Rick Rubin, who apparently is a big fan of the band. Busy P has a nice little story about the hookup on his blog.



- FBZY

Sunday, 22 January 2012

YASIIN BEY IS NOT WATCHING THE THRONE

 
This the freshly-monikered Yasiin Bey (formerly Mos Def now using his legal name, Yā Sīn is the 36th 'chapter' of the Qur'an), dropping a version of Jay-Z/Kanye West's "Niggas In Paris", titled "Niggas In Poorest". Yasiin uses the same flow on the original, but alters the lyrics to make the track a scathing criticism on what "Watch The Throne" represents, which continues to create headlines and debate throughout pop culture and media alike. Mos had previously done something similar with the "Rape Over", a version of Jay-Z's "The Takover". The track was never released, as it was blocked by Jay-Z and The Doors (the samples were never cleared).

"...who the fuck is Margiela?"

Throughout 2011 the participants of "Watch The Throne" were barely off our screens. With over 7 million albums sold worldwide, a number one single for "Niggas In Paris" and a 23 date tour in the U.S. alone which made over $20 million (gross). The VOYR project (of which is unclear whether this is a initiative spawned from Kanye's camp), provided the backstage content, video diary and promotional element to the tour. In a video demonstrating the brand-power of "Watch The Throne", the album and tour is described as a:

"...perfect synthesis of artist, brand and fan, where technology is the delivery system, and a deeply engaged consumer is the ultimate prize"

Yikes. But so far criticisms of "Watch The Throne" beyond the music itself has been few and far between. In probably the most economic, social and politically turbulent year worldwide for some time, this testament to a modern American dream, one of self-actualisation and the will to power through fierce capitalism has come under little fire (incredibly, even when Jay-Z's Rocawear almost starting selling an "Occupy Wall St" t-shirt).


"So what’s fifty grand to a young nigga like me?/More than my annual salary"

From William Randolph Hearst to Bill Gates, the myth of the 'self-made' (though often already affluent) man has always been a compelling story. Framed in the context of the disadvantaged and disenfranchised, the story becomes a legend. Is this necessarily a bad thing? Any successful enterprise takes great will and self-belief, especially in the face of an economic and social class system. So these songs, centered on tremendous feats of success and a compelling future (a technique of many motivational speakers), become mantras. I work out while listening to "The Blueprint", and by the end of it I feel like a goddamn CFO.

So what's the beef? Well, it all depends on how the myth ends. The problem becomes where entertainment perpetuates capitalism as a means of us fulfilling our evolutionary need to survive and prosper. Phew.

Media needs advertising, and advertising needs consumers. We (the consumers) need to feel successful. So we look to media - as well as culture and social proof, areas targeted by advertising - to show us how to be successful. Rinse. Repeat.

Now, black artists do not necessarily need to be politicised just because they are successful. No one's pissed at Dave Grohl for not tackling the U.S. national deficit in his last album. But I believe in a balanced argument, and the right to an alternative. Which brings me back to Yasiin.

“Doctors say I’m the illest/I ain’t got no insurance/it’s them niggas in poorest/be them rebel guerillas”

This is Yasiin at his most revolutionary. Even the now-famous pause in the track which originally featured a Will Ferrel sound clip, has been replaced by monologue from Malik El-Shabazz (AKA Malcolm X). The quote itself was made at a time when Malcolm sincerely felt it his eventual assassination was inevitable, as he was surrounded by enemies on all fronts. Is this Yasiin making a stand without fear of reprisal? The reprisal itself may be economic in this case. Hip-hop deemed as 'revolutionary' can expect little airplay and album sales (see Paris, Dead Prez etc).

Still, if this is the shape of what's to come from Yasiin, I welcome the alternative point of view, and the courage of an artist going against the grain (please no more 'reggae' singing though). The production on this track is rough as hell, so the lyrics are quite hard to make out - I've dropped them in below.



[Intro]
Live from America
Yasiin, Yasiin, Yasiin
N.I.P, sing it

[Verse 1]
Ball so hard, clean clothes look grimy, pretty women don’t mind me
So what’s fifty grand to a young nigga like me? More than my annual salary
Ball so hard, this shit crazy, fought my side, the whole world hate me
Nervous stares hit the third affairs, Savannahs can of police tracing
Ball so hard, this shit weird, we be home and still be scared
There’s grief here, there’s peace here, its easy and hard to be here
Psycho, liable to turn Michael, take your pick, Myers, Myers, Myers, same shit
Ball so hard, got holey socks, dope block on my stove top
Jumbotrons for astronauts, high at all but no planet rock, say
Ball so hard, this chopper too, we starving Marvin, you hot food
There’s birds of prey, no escape, open-air prison, no pursuit
Ball so hard, who getting faded? Little Maurice in the sixth grade
No mama, no father, role model the dope game, say
Ball so hard, bitch behave, standing behind the deuce-deuce-trey
Ice-cold, heat blow, closed casket, cold case

[Hook]
Ball so hard, that shit cray
that shit cray, that shit cray, that shit cray
that shit cray, that shit cray, that shit cray

[Verse 2]
These young bloods is looking scary at the mall
They wearing pants, you can still see they drawers
They rob a nigga in the bathroom stall
They took his life cause he ain’t want to take it off
Singing, ball so hard, that shit cray, ain’t it, Bey? Diabetics, fish filet
Ball so hard, your hustle cold, nigga it ain’t spring
Every winter and I ‘em with my heat again
Bourgie girl, grab your hand, show you how to do this ghetto dance
Fuck your French, we ain’t in France, I’m just saying
Prince Williams ain’t do it right, if you ask me
If I was him, I’d put some black up in my family
Fake Gucci, my nigga, fake Louis, my killa
Real drugs, my dealer, who the fuck is Margiela?
Doctors say I’m the illest, I ain’t got no insurance
It’s them niggas in poorest, be them rebel guerillas, huh

[Interlude: Malcolm X]
I don’t worry. I tell you, I am a man who believed that I died 20 years ago
And I live like a man who is dead already. I have no fear whatsoever of anybody or anything

[Hook]

[Verse 3]
To the kings and queens and everyone in every place, yo
Don’t get caught up in no throne, don’t get caught up in no throne
Don’t get caught up in no throne
Towers of Babylon rise up and so they shall fall
As it was written before, amen, the show goes on
Don’t get caught up in no throne, don’t get caught up in no throne
Don’t get caught up in no throne
These devils out here lying, acting like the people ain’t dying
They silver and they gold, ain’t never saved a soul
Don’t get caught up in no throne, don’t get caught up in no throne
Don’t get caught up in no throne
Shout-outs to the earth and to the heavens, lunar, solar eclipses
We seeking for forgiveness and safety for our children
Don’t get caught up in no throne, don’t get caught up in no throne
Don’t get caught up in no throne, Allah is in control

- FBZY

Saturday, 21 January 2012

HONG 10 & FRIENDS






















err, breaking got crazy! Japan/ S.Korea take over. I don't even know if you can call this breaking? It's like a cross between Ong-Bak, Olympic gymnastics, S&M and Step Up but it's pretty amazing. Elbow pads definitely a pre-req.

Friday, 20 January 2012

OH SHIT - BRUCE LEE


This looks amazing. This is the trailer for new documentary "I Am Bruce Lee", the film delves into the life of Bruce Lee and his legacy in both martial arts and film. I'm only really interested in hearing Bruce though. I'm not really sure what the dancer-Lou Diamond Phillips-dude from the fuggin' Black Eyed Peas is bringing to the table. And on that note, don't bring up Elvis, Jay-Z, Bob Dylan or Kobe in the same breath - this guy was a for-real superhero.



- FBZY

ETTA JAMES - RIP


Etta James died early Friday at a hospital in Riverside, California. She was 73 years old. Very sad news. Heard it today on the radio and genuinely felt a bit bummed (not just because she looks a little like my kid). The singer, who suffered from kidney diseases and dementia, was admitted to hospital last month. She had been in failing health for several years. Her voice and her soul will be missed.







- FBZY

JUSTIN BIEBER NEVER SOUNDED SO GOOD


Dirty Loops are noteworthy for two things. The first is making me thoroughly enjoy a Justin Bieber song (I thought that was humanly impossible), and for two having the worst looking website ever (the bio page looks like an adult entertainment website) - and having Pete Burns from Dead Or Alive on bass is not helping one bit. According to the official spiel: 

"Dirty Loops is a Swedish power trio that twists pop music in a way never done before"

This is certainly true of their blistering cover of Justin Bieber's "Baby". This is like Phoenix on really good drugs, or Jeff Buckley without the really good drugs. Needs more chords though.



- FBZY

Thursday, 19 January 2012

THE BULLITS - "SUPERCOOL" AKA ROSARIO DAWSON IS THE BEST


I didn't think Rosario Dawson could exceed my estimation of her, but here she is, dancing on the street with a crackhead and a shopping cart in Soho, London. This seemingly unscripted performance is actually a video for The Bullits latest track "Supercool" (featuring Rosario Dawson strangely enough). It starts with Bullits front man Jaymes Samuel delivering a comedic skit, clearly influenced by Dave Chappelle's Tyrone Biggums character. As 'luck' would have it he spots Rosario on Charing Cross Road, and in a moment of genius 'Tyrone' whips out an iPod and gets the track - and his groove on. Damn I want to dance with her so bad it feels like I need to pee.

"Supercool" is released on March 4th.



- FBZY

Wednesday, 18 January 2012

SLEPT THROUGH THE DOPE






















Checking out all manner of best of lists from 2011 as always in Jan and finding so many amazing things I missed out on. Here is some pretty fantastic Chicago type a locked funk business from Medlar on the permanantly on point Wolf Music